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It’s paperback day!

I don’t think this is an official national holiday yet — we had not heard back from Congress at press time — but it’s still a great day: “The Elephant in the Room” is out in paperback today.

It’s available online and in bookstores all across this great land of ours … if you love indie bookstores, as we do, buy a copy (or several!) there.

Also, if you’re near these cities, come see me on my book tour! More details and updates here.

I’m thrilled to go back out on the road and talk to people about the book. I’m also thrilled at the idea of new readers picking it up and giving it a read. To sum up: It’s all pretty thrilling. I might have mentioned that.

Thanks, as always, for your support and encouragement along the way. I’m forever grateful.

— TT

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The new one

(apologies to the great Mike Birbiglia for borrowing his title)

So … I have a deal to write a new book.

We actually signed the paperwork a few weeks ago, but I wanted to wait until after the holidays before I said anything in public. Now it’s time to make the announcement. Would you like to guess? I promise you, we could sit here all day and you’d never guess.

My next book is going to be about…

The Westminster Dog Show.

Yep: My first book was a pour-your-guts-out memoir about my lifelong struggle to lose weight. This book involves a lot of hanging out with dogs. It’s a bit of a departure.

Here’s how it happened: I had pitched a couple of ideas to my fantastic editor, Jofie Ferrari-Adler, who now co-runs his own imprint called Avid Reader Press as part of Simon & Schuster. Jofie was lukewarm on the ideas I pitched him, which is fine and a normal part of the publishing business. I was trying to figure out what to pitch next, and he suggested that I just send him a big batch of ideas, so he could help me get a sense of which one might make the best book.

So I sent him 20 ideas.

Some of them were two or three paragraphs. Others were a few sentences. But idea number 19 was just this:

Westminster. I don’t have a brilliant idea here except to say that nobody
has ever done a great book on the Westminster Dog Show and it’s about
fucking time.

Jofie and his colleagues liked several of the ideas, and my agent, Sloan Harris, chimed in with his favorites. As we kept talking, and the Westminster idea floated to the top, I fleshed it out a little more:

The dog show is a fascinating little world — the owners and trainers and judges trying to determine the perfect version of all these different breeds, and the amazing and wonderful dogs parading around the floor of Madison Square Garden, oblivious to pretty much everything except the treat in the trainer’s hand.

What I really like about it is the contrast to the way we think about dogs in the regular world. Show dogs are judged for how closely they fit the ideal version of the breed. Regular dogs, we love for their quirks — the weird way they eat, or how their ears are different sizes, or how they always turn three circles before settling down to bed. But there’s overlap, too: Even the best show dogs have their own little weirdnesses, and somehow even the mangiest mutt can give off a flash of royalty.

People and dogs have been partners for tens of thousands of years. What do we get out of that relationship? What do they get out of it? It made me want to go find out — not just to Westminster and other dog shows, but to meet scientists and poets and other people who have thought hard about that deep connection between our dogs and us.

So the book will be about the dog show … but, I hope, also a lot more than that.

In some ways, this is a return to what I’m used to. My memoir was a bit out of step for me — I’m more used to writing about other people. There’s nothing about my work that I love more than diving into a new world, learning about it, and coming back to tell the tale.

I’m headed to New York in a few weeks for Westminster 2020, to dive into that world, and I can’t wait.

I’ll post a few updates along the way, but probably not many — I like to keep things fairly close to the vest while I’m working. But I suspect I’ll post some dog photos here and on my Instagram feed from time to time. And if everything goes well, in a couple of years, we’ll have a book.

The kicker: My wife and I just acquired a cat. But that’s a story for another time.

*****

While I have your attention … the paperback of “The Elephant in the Room” comes out NEXT WEEK — Jan. 14, although feel free to go ahead and preorder. I’ll be doing a short book tour over the next couple of weeks — if you’re in Charlotte, Athens, Atlanta, Nashville, Auburn, or Litchfield Beach, S.C., come say hey. I’ve already got a few more dates lined up for spring and even into the fall.

This book-writing life is such a gift for me — I always wanted to do it, but never knew if I’d get a shot. To be able to write a second book … well, I’m doubly blessed. Thanks to all of you for buying books, not just mine, but anyone’s. See you on the road.

— TT

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Creating and schlepping

Allee Willis died back on Christmas Eve. You wouldn’t know her name unless you’re deeply into songwriting, but you know her work. She wrote or co-wrote “I’ll Be There For You,” the “Friends” theme; “Neutron Dance,” the Pointer Sisters hit; the music for the Broadway show “The Color Purple”; and best of all, the Earth, Wind and Fire classic “September,” which you have now started to sing in your head by reflex.

Willis led a big life — she was known for wild parties, and she filled her house so full of knickknacks and doodads that she turned it into a Museum of Kitsch. But when I was reading her obit, something she said about her songs stuck out:

“I, very thankfully, have a few songs that will not go away, but they’re schlepping along 900 others.”

That’s one of the keys to a creative life — knowing that not everything you do will be a hit.

Sometimes you grind out a piece of work, pour your soul into it, put it out into the world, and … crickets. But sometimes a little thing you toss off in 20 minutes becomes what you’re known for.

Don’t discount those little tossed-off things — they’re often the result of years of prep work that your subconscious did to prepare you for that moment.

And don’t grieve too much over the hard work that didn’t find an audience — sometimes the work itself has to be the reward.

Success is a fickle thing and not always up to you. The one thing you can do is keep creating, building a whole body of work that keeps schlepping along, the hits and the duds and the in-betweens, but every one of them yours.

— TT

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56 Up

There’s a famous British documentary series called the Up series, where director Michael Apted started following a group of 7-year-olds and has returned to them every seven years to see how their lives have changed. The titles reflect their age at the time — “7 Up,” “14 Up” and so on. Last year, they came out with “63 Up.”

I turned 56 on Saturday. That happens to be a multiple of seven. So I’ve been trying to remember what my life was like at all those seven-year checkpoints.

7 Up (January 1971): I’m in first grade. My teacher is a black woman, Mrs. Lewis, which is a big step in our county — years later, I’ll find out that it’s the first year the county schools were integrated. All I know is that I love Mrs. Lewis and wish she taught every grade. I can read faster than anyone else in class, and I run slower than anyone else in class. My mom and dad work at the seafood plant. I play kickball and dodgeball with the neighborhood kids. I draw mazes in our dirt yard with a rake.

14 Up (January 1978): Eighth grade, middle school. I’m the lead in the school play — “You’re a Good Man, Charlie Brown.” It’s a musical, and one day the teacher plays back our rehearsal with a videotape recorder — the first one I’ve ever seen. We all hate the sound of our own voices. But backstage, behind Snoopy’s doghouse, I kiss the first two girls I’ve ever kissed. By then I’ve also made two best friends. One, Perry Beard, is already up at the high school. The other, Virgil Ryals, is the smartest, funniest kid I’ve ever known. One day we’re talking about our families and he tells me his grandmother is a teacher. It takes a few minutes before we figure out his grandmother is Mrs. Lewis, my teacher back in first grade. Some people are meant to be friends.

21 up (January 1985): I’m a junior at the University of Georgia and I’m a mess — drinking too much, blowing off classes, gaining so much weight I’m down to a couple of shirts and a blown-out pair of jeans. I have two salvations. One is my friends. The other is my job at the college newspaper, The Red & Black. I spend most of my waking hours there, learning how to interview reluctant sources and omit needless words. Every day the paper comes out is a high. Back home, my dad is sick and has been for years — he smoked most of his life and the poison has caught him. My mom had quit the seafood plant after getting injured on the job but goes back to work as a waitress because we need the money. She keeps our household together a roll of pennies at a time.

28 Up (January 1992): I’m restless. I’ve been at The Charlotte Observer for two and a half years, but I’m stuck (or at least I feel stuck) in the Rock Hill bureau. I’m writing columns down there, and I don’t know it at the time, but they’re perfect practice for when I become local columnist for the big paper later on. I’ve collected another best friend, Joe Posnanski, who’s writing sports in Rock Hill. In another month or two I’ll have a girlfriend. But I’m still chafing. My dad died two years before, back in 1990, and even though I’m young, I start to feel time whistling past. That summer I’ll get so frustrated with not getting promoted that I quit the job (and the girlfriend) and move to Atlanta. That turns into a six-month disaster. When I come crawling back to the Observer, they are kind enough to let me in.

35 Up (January 1999): Somehow, the life I wanted has appeared in my hands. After a few years as the Observer’s music writer, the paper chose me as the local columnist, and I’ve been doing that job for a year and a half. It feels like what I’ve always been meant to do. More important, I’m six months the husband of Alix Felsing, the best person I’ve ever known. We live in a second-floor apartment in South Charlotte with a spare bedroom crammed floor to ceiling with boxes. Soon we’ll buy our first house, a big spread with a pond and a garden. Every day feels like another stroke of luck.

42 Up (January 2006): The house with the garden and the pond proved to be more than we could take care of, so we’ve moved to a smaller place that we love. We brought along a few daylilies and our yellow Lab mutt, Fred, who showed up one day at the old house and never left. We take the dog for long walks through the new neighborhood, sit out on the porch and make new friends. I’m still the local columnist and it’s still the best job I’ve ever had … but I’m also feeling that old tug to try something new.

49 Up (January 2013): I’m eight months into life at a startup called Sports On Earth. After 23 years, I left the paper for good — not because I didn’t love it, but because I hungered for new stories and new places to try things. Alix still has her job at the paper, which is good, because a few months from now Sports On Earth will let me go. Her steady salary and benefits keep us afloat while I hustle for work. I have new energy for writing, but I can also hear the drumbeat of time. The world is aging around us. My mom has been to the hospital a couple of times for ulcers. We’re having to start tugging Fred around the block instead of him pulling us. I’m neglecting my body, as I most always have, and I’m up over 400 pounds. I know I have to do something. I always decide to start tomorrow.

56 Up (January 2020): So many highs, so many lows. I wrote a book about my struggle with my weight, and it touched some people, for which I will always be grateful. Not only that, I’m getting healthier. I have a new job at Charlotte’s NPR station, WFAE. People used to recognize my face from the paper; now they recognize my voice from the radio. Alix and I have been married 21 years. She does something every day that makes me fall for her all over again. But the last couple of years have been a grim parade. Virgil died, out of the blue, a heart attack. Alix’s dad died suddenly, giving us just enough time to be by his side. My mom died after a long, exhausting illness. Alix’s mom started to show some memory issues and so we persuaded her to move here from Tennessee. My two most important journalism mentors, Jay Lovinger and Frank Barrows, died within a couple of months of each other.

This is what happens, we know, when you live this many years. Some days the grief is overwhelming. But some days the joy is, too. Just last night we took Alix’s mom out to dinner, and on the walk back to the car, we looked up at the moon. It was a clear night and the air felt fresh in my lungs and the moon was a miracle. How many nights over 56 years have I looked up and seen that light in the dark? How many times have I held my wife’s hand as we walked? So many times I can’t count them all. But I know how many I want. More.

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Paperback Book Tour 2020!

These beauties showed up at the house yesterday, which means it’s time to announce the official dates for the paperback book tour for “The Elephant in the Room.”

So here we go. I’ve added links to the places that already have the event up on site:

Jan. 15: Park Road Books, Charlotte

Jan. 22: Avid Bookshop, Athens, GA

Jan. 23: Highland Inn Ballroom Lounge, Atlanta (in conversation with Tom Junod, sponsored by A Cappella Books)

Jan. 26: Parnassus Books, Nashville

Jan. 27: Auburn Oil Co. Booksellers, Auburn, AL

Feb. 7: Kimbels at Wachesaw, Murrells Inlet, SC (followed by book signing at Litchfield Books)

April 1-3: The Oxford Conference For the Book, Oxford, MS

I’ll also be doing several other events in and around Charlotte over the next few months … we’ll add those to the book tour page as they fill in.

FYI, if you’re interested in having me come to your bookstore or speak to your group, contact Angela Ching at angela.ching@simonandschuster.com — we’ll do our best to make it work. Also contact Angela if you’d like me to be on your podcast, radio show, etc.

The paperback comes out Jan. 14, but you can (and should!) preorder now. The hardback, audiobook and ebook are already out and available — I cannot reveal my sources, but I’m told they make excellent Christmas gifts.

Thanks so much to everyone who has bought and/or supported this book over the last year. Seeing the crowds at the events, meeting readers, and hearing your stories — all that has made this one of the most rewarding years of my life. I can’t wait to get back out on the road and do it again. See y’all soon!

— TT

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Turning pro

(This is not about sports, just FYI, although I’ve been thinking a lot about ballplayers who are pros in every way except getting paid, especially when it comes to college football. But that’s for another time.)

One of my favorite podcasters is Brian Koppelman — co-creator of “Rounders” and “Billions,” among other wonderful things — and his favorite guest is the marketing guru and author Seth Godin. They spend most of their time talking about how to figure out what you ought to be doing in your life and how to make it happen, despite all the obstacles (many of them self-inflicted) in the way.

Their latest conversation has an extended riff on the differences between an amateur and a professional. I was happy to hear Godin say basically the same thing I tell people about the key distinction: Pros do the work even when they don’t feel like it.

I’ve been lucky enough to love pretty much every job I’ve ever had. But there have been days on all those jobs when I would’ve rather been anywhere else — someone I cared about was sick, or I was mad at my boss, or my friends were out doing something fun, or (this happened in my 20s more than I’d like to admit) I was hung over.

This is even more tempting when you work for yourself — there’s no one to yell at you if you roll back over and go to sleep. (Although, trust me, once you check you bank balance, you will yell at yourself later.)

If you’re trying to jump-start a creative career — if you’ve always wanted to be a writer, say — those first few weeks can be a blast. So many ideas! The words just flow! And then, at some point, there comes a day when you just stare at the screen and the words feel encased in ice. It is not fun at all. Maybe it happens two or three days in a row. Maybe a week. And then you have to decide if this is what you really want to do.

I do not always provide 100 percent peak performance on those gray days. But I show up and do my best to get something done. I learned from the best. My mom was a waitress for the last 18 years of her working life. She was in her 50s and 60s when she worked there. She ached every morning when she got up. But she got dressed and had her coffee and went in every morning because that’s what a pro does.

Watching her work, and listening to her talk about it, taught me a key thing about being a pro. At the Denny’s where she worked, cooks and servers constantly called in sick or just didn’t show up — they’d work a week or two and just vanish. A lot of people quit the moment they found out it was hard work. My mom was a fantastic waitress. But she also got better shifts and more leeway on the job because she stuck around when so many others didn’t.

This, to me, is the great value in being a pro. You might think you’re not as good as a lot of the people around you. But if you stick with it, a lot of those people are going to give up. Your competition will just fall away.

And all those days you do the work when you don’t feel like it? They start to accumulate. Pretty soon you’ve built something you’re proud of. Maybe something that can support you for the rest of your life.