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Writing

Elephant in the Room: The end of the beginning

 

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Some of you know that I’ve been working on a book for a while — it’s called “The Elephant in the Room,” and it’s a memoir about my life as a fat man in a growing America. Just after midnight last night, I wrote the final sentence and then typed -30-, which is old newspaper lingo for the end of a story. I emailed the draft to my agent. Most of my columns for the Charlotte Observer were about 600 words. One of the features I write for ESPN might run 4,000. This was 61,000 words. I hope a few of them are good.

This is just the end of the beginning. A few trusted readers are going to take a look and give me some thoughts. I’ll read those and make some changes. Then my book editor at Simon & Schuster will get ahold of it, and he’ll have more ideas. What we end up with will be different than what I turned in today. That’s how it works and how it ought to work. I don’t know when there will be a book for you to buy. But you can bet I’ll let you know through this blog, Twitter, Facebook, emails, town crier, etc.

There’s still a long way to go. But for now: I wrote a book! I think I’ll go sleep for a couple of days.

 

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Music

The Oxford American Georgia Music Issue (alternate universe version)

One of my favorite days every year is when the new Oxford American music issue comes in the mail. This is the magazine’s 17th annual music issue. At first, every music issue gathered music from around the South. For the past six years, each issue has focused on one Southern state. This year it’s Georgia. My home state.

As always, the CD that comes with the issue is fantastic — full of deep tracks by well-known artists, and revelations by musicians most of us have never heard of. The Georgia version ranges from James Brown and the Allman Brothers to ’70s folkie Alice Swoboda* and my new obsession, indie-pop singer Ruby the RabbitFoot (from my hometown of St. Simons Island!)

*Alice’s real last name was Harper but she switched her stage name after seeing a mention of the old Mets’ outfielder Ron Swoboda. This is my favorite factoid in quite some time.

But as I went through the tracks, my mind kept creating another CD — one with some of the other great Georgia musicians I’ve loved over the years.

So here’s a mythical Disc 2 that doesn’t repeat any of the artists from the Oxford American disc (with one necessary exception). That means I can’t use, among others, Ray Charles, Otis Redding, the Drive-By Truckers, Johnny Mercer, OutKast or R.E.M. (they show up on an Indigo Girls track). In the spirit of the OA collections, I’ve avoided the obvious choices from better-known artists, and tried to throw in a few folks you might not know about.

  1. Gladys Knight and the Pips, “Neither One of Us (Wants To Be the First To Say Goodbye)”

“Midnight Train To Georgia” bubbles underneath all Georgia music the same way “Georgia On My Mind” does, so let’s try Gladys’ greatest ballad instead. If you’ve ever loved and lost, you’ll be a mess by the time she hits the bridge. This song, “Midnight Train” and “You’re the Best Thing That Ever Happened To Me” — the group’s three indisputable classics — were all written by Jim Weatherly, who was a quarterback on all-white Ole Miss football teams in the early ’60s. Life is weird and messy and wonderful.

2. Sea Level, “That’s Your Secret”

Sea Level is named for Chuck Leavell (C. Leavell — see what they did there?), who played piano with the Allman Brothers Band and now tours with the Rolling Stones. (He’s also an honorary ranger in the Forest Service.) This group is an offshoot of the Allmans with a little more jazz in the mix. My hometown FM station played this track a lot in the ’70s — the monster bass line by Lamar Williams came through even on my crappy Sears Roebuck stereo. Plus I always loved that this song namechecks Dusty Rhodes.

3. Mother’s Finest, “Somebody To Love” (live)

I plan to write a lot more about Mother’s Finest for a project I have in mind for down the road sometime. For now, just know that Mother’s Finest taught me — and a lot of other Southern boys and girls — that you could throw rock and soul and funk into a blender and make it sound great, and that there was something powerful in that blend beyond just the music. Grace Slick wishes she were as cool doing this song as Joyce Kennedy.

4. The Jody Grind, “Blue and Far”

They put out only two albums, but both are just about perfect — standards and pop nuggets and weird in-jokes, all built around the devastating voice of Kelly Hogan. There’s no better music for a Sunday night.

5. Travis Tritt and Marty Stuart, “This One’s Gonna Hurt You (For a Long, Long Time)”

Officially it’s Marty Stuart featuring Travis Tritt, but they split the singing 50-50 so I’m counting this one for Travis. He had some big hits but never made it quite as far as his voice deserved — he’s not George Jones but you can hear him get close now and then. All I know is I spent many a quarter playing this in jukeboxes all across the South when it came out.

6. Drivin’ N Cryin’, “Honeysuckle Blue”

Kevn Kinney, the lead singer, is an acquired taste — sort of a Southern-fried Geddy Lee. (I’ve never quite acquired that Geddy Lee taste.) Either way, the band has got every move in the book — folk to country to arena rock to their own blend of power pop, heavy on the guitars. Great, great live band.

7. Donkey, “Slick Night Out” (live)

The “Swingers” sound two years before “Swingers” came out. Donkey always had more of a melancholy undertow, though. These guys never picked up Heather Graham at the bar.

8. Arrested Development, “Mr. Wendal”

People bopped with the beat when it came out back in ’92, and for a lot of them it wasn’t until the 10th or 15th or 100th listen that the lyrics started to sink in.

9. The Heartfixers, “Greenwood Chainsaw Boogie”

Tinsley Ellis, the guitarist and singer, has gone on to a long solo career in the blues world, but I’ll remember him as the guy who used my bottle of Bud as a slide as he played while walking across our table at the Red Lion in Augusta one night. He kept the beer, too.

10. Cee-Lo Green, “Fuck You”

There should probably be some Goodie Mob in here, to show off that side of Cee-Lo, but the truth is that this video has 14 million views, and I was responsible for about a million of them the week it came out. (My friend Joe Posnanski was responsible for another million.)

11. Jack Logan, “New Used Car and a Plate of Bar B Q”

Jack Logan moved to Athens in the early ’90s and worked as a mechanic. In his off hours he wrote song after song. At some point a few prominent musicians (including R.E.M’s Peter Buck) heard some of the songs, and Logan eventually made a connection with a record-company exec. Logan sent him 500 songs. They narrowed it down to 42 that Logan released as a two-CD set called “Bulk.” I’ve played “Bulk” a lot over the years and always come back to this track. It’s still out there for a country singer who wants a #1 hit.

12. The Producers, “What She Does To Me”

These guys were the go-to band for festivals and frat parties when I was at UGA. The outfits are dated now, and nobody really runs around with a keyboard anymore, but this is still as beautiful a slice of power-pop as you’ll find. I can’t play it once without playing it twice.

13. Alan Jackson, “Country Boy”

Alan Jackson has had a zillion #1 country hits, he sells out arenas whenever he goes out on tour, he’s my mama’s favorite singer … and he’s still underrated. He’ll slide out of his lane and try something different more often than most country singers. Just two years after doing a straight-up gospel record, he put out this sly, sexy track. You sure look good, sittin’ in my right seat / Buckle up, and I’ll take you through the five speeds. Yeah buddy.

14. The B-52’s, “Rock Lobster”

I’ll take arguments for this as one of the top 10 singles of all time. It’s hilarious, it’s compulsively danceable, it rocks (that single-note solo at 2:22 in the video is a fantastic rock ‘n’ roll moment), and by God nobody had EVER heard anything like it. Or seen anything like it, either.

15. The Black Crowes, “Remedy”

The first two Black Crowes albums are guaranteed to make me feel better, especially turned up loud. They work better than Advil.

16. Brick, “Dazz”

Destined to be played at every grown ‘n’ sexy party from now to forever. And rightly so.

17. Atlanta Rhythm Section, “Georgia Rhythm”

There’s so much more great Georgia music out there — I left out a ton of hip-hop, a bunch of metal (MASTODON, people!), gospel, country, pretty much everything. I’m sure I’ll think of more songs the second I post this. Maybe there’s a Volume 3 down the road. Send suggestions. Either way, it makes sense to end here with the band I most identified with Georgia growing up. When I hear my home state in my head, I hear Ray Charles and Otis Redding first. But Ronnie Hammond comes in right behind them. Crank up that trusty Gibson, son.

Bonus track: James Brown, “Dooley’s Junkyard Dawgs”

Of course the Godfather is on the main Oxford American CD … but I’ll be damned if I’m putting together a compilation of Georgia music without this tribute to Vince Dooley’s great UGA football teams. The bass line alone is better than any other fight song in history.

Now then. When’s that North Carolina issue coming out?

 

 

 

 

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Good dog. Good, good dog.

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Our dog Fred passed peacefully Thursday at about 7 p.m. Alix and I were there by his side, along with the amazing Dr. Mary Fluke, who had cared for him since he was a puppy. We told stories and laughed and cried like children.

He had a good last few days. We discovered right near the end that he liked tuna fish, and he must’ve eaten half a tuna’s worth. At my mama’s wise suggestion, we also fed him bacon. (When in doubt, have some bacon.) The food perked him up. Most days lately he hadn’t had enough strength to take his normal walk to the end of the block and back. But on Wednesday, he pulled us down there and then another whole block. On Thursday we took him on one last car ride. He watched out the back window as we drove him through the streets he knew so well.

After I wrote about Fred’s dying days a few weeks ago, I heard from hundreds of people all over the world. Some had stories of their own old dogs. Some had young animals they vowed to love as much as possible. Some people just wanted to say they were sorry for our loss. Alix and I are sorry, too. But also grateful.

I’m writing this Thursday night. Nearly every night for the last 14 years, one of us has let him out before we all went to bed. We’ve spent so many nights standing in the cool air on the street we love, staring at the stars, listening to one of the neighborhood owls, or just watching Fred prance around the yard and catalog all the new smells. He brought us those moments and a million more.

I didn’t know what to do tonight so I walked out in the yard and stared at the stars and thanked him again for coming into our lives.

He was the best dog.

 

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Our old dog

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It’s not fair to write about a dying dog. Just those last two words are enough. Automatic tears. So I understand if you stop here. But I need to say a few words about our old dog Fred. It’s not all sad. Not even mostly. I’ve been meaning to write this for months, with the idea that you should celebrate the things you love while they’re still around. It turns out I need to do it now. Not that it matters to Fred — I’m pretty sure he can’t read this, although he has fooled us on many things over the years. Just in case he can: Good boy. Such a good boy.

Let’s do the sad part first. Fred has a big tumor on his liver. It’s most likely one of two cancers, both malignant. He might have a few weeks, might not have tomorrow. They could do surgery but the specialist we saw couldn’t promise they could get the whole tumor, much less whatever else might be in there. He’s got a bunch of other problems. The arthritis in his hips is so bad that our neighbor calls him the Little Soldier because he sort of goosesteps down the street. Sometimes he pants through the night. He has random seizures no treatment has been able to fix. He’s pretty much deaf. Most of all, he’s 14 – ancient for a yellow Lab mix. The surgery would be hard on him. And even if it works, the specialist said, he’s not likely to make it to 15.

So we are going to let things be.

End of the sad part.

He just showed up in our lives one morning. It was early November 2001, just when it starts to get cold around here. It was a couple months after 9/11 and we were all walking around with holes in our lives. At the time we lived in a house with a long driveway. I went out to get the paper and there was a white ball wriggling at the end of the drive. The closer I got, the faster he wagged. I looked at him. No collar. I looked around. No people. He followed me back to the house.

I picked him up and took him in the bedroom, where my wife, Alix Felsing, was sleeping. Alix! I whispered. Look! At the time we had a tabby cat, and without her glasses, Alix thought I was holding the cat. She put her glasses on and noticed a couple of things I didn’t – the puppy was bloated from worms and crawling with fleas. That’s nice, honey, she said. Let’s take him outside.

Our yard didn’t have a fence. So we took him across the street to our neighbors Bill and Susie. We put him in their yard while we figured out what to do. I walked back to the house and about halfway up the drive I looked back. The puppy was right on our heels. He had squeezed through the gate to follow us.

We had a dog.

We went back and forth on names for a while. I wanted to call him Herschel, after my favorite football player, the great Herschel Walker. Alix, for some reason, was not especially fond of this. Eventually we settled on Fred. Fred’s a solid guy. Fred’s your buddy.

We took him to puppy training a couple of times, but the main thing he learned was that people have treats in their pockets. When we first started to walk him on a leash, he’d turn around every 20 feet and beg for a snack. When he wasn’t begging, he was sniffing. He’s got some hunting dog in him — besides the Lab part, we think he’s part German shorthaired pointer, because of his thin back end and the tan speckles on his cream coat. (He has one big spot in the middle of his forehead, like an Indian bindi dot.) He also used to go on point sometimes when he was a young dog, although we could never figure out what he was pointing at. Whatever’s in there, he’s a scent hound to the core, plowing his snout into bushes and down holes, checking out the crotches of every creature he meets. This was not so charming when we had company.

We kept him in the garage while we made arrangements to build a fence. You might have heard that young Labs chew. Fred basically ate our garage. He chewed the drywall. He chewed the attachments to our Shop-Vac. We kept a plumber’s snake in a 5-gallon bucket. One day we came home and found the top half of the bucket chewed off, the snake sprawled on the floor, Fred dancing in the garage with glee. He ate about as much plastic as he did dog food in those days. His favorite snack was poop from the Canada geese who hung out at our little pond. He snapped up the turds like Tootsie Rolls. We’d steer him away from the droppings but he’d always find one we missed. Never once got sick.

Years later, when we were renovating our bathroom, we took our shampoo and toothpaste and stuff and put it in a box. Fred got into the box and ate a bar of soap. We Googled “dog ate bar of soap,” and the Internet told us everything from “he’ll be fine” to “OH GOD HE’S GONNA DIE.” We were getting ready for church. Instead we ran him to the closest vet we could find that was open on a Sunday morning. We waited an hour and a half. It turned out he was fine. The vet said that sometimes, dogs that eat soap end up farting bubbles. We had our cameras ready for hours. Nothing. After all that trouble, we thought we deserved at least a fart bubble out of it.

Those geese at the old house used to torment us. They’d poop all over the walkway between our back door and the carport. One morning Alix saw them gathered right outside the garage and decided a dose of Fred might scare them off. She hit the garage door opener and Fred took off outside. It took a few seconds for the door to lift enough that Alix could get out. When she did, she saw two things: One, Fred had in fact scared the geese silly — they were taking off toward the pond. Two, the geese had brought their babies. Fred had a gosling in his mouth.

Alix chased him around the yard, hollering at him to drop it. Fred thought this was a fantastic game. After a minute or two of this Alix ran back in the garage and grabbed a dog treat. She showed it to Fred and he instantly dropped the gosling. It took off running to find its family. Fred had cradled it in his mouth the whole time, never biting down. We knew then we had a gentle dog. Sometimes I’d roughhouse with him and he’d grab my arm with his teeth, a million years of wild dog battling a thousand generations of breeding. He never clamped down once. Far as I know, he never hurt another living thing.

*****

He had fears we never understood. He cowered at the sight and sound of trucks, especially, for some reason, white vans. He ran away from children. He didn’t even like things associated with them — one time, when I was walking him, he took a wide arc to go around an empty Big Wheel. He was about two months old when he showed up at our house and we always wondered what happened to him in those two months. Nobody ever put up signs in our neighborhood looking for him. We think he got dumped in the street, or escaped a bad place. He sure seemed grateful to be with us.

We had a big backyard in that first house, with a garden and a couple of pecan trees. We spent some of our finest days back there, picking up pecans or weeding the flower beds as the dog and cat played in the grass. Our cat, Rocket, would let Fred chase him and then head up a tree when he got too close. Then, when Fred wandered off, he’d come back down and stroll back into Fred’s line of sight. Chase, up the tree, back down again. At night Fred would sleep in a crate in the garage, and Rocket slept in the seat of our John Deere riding mower. After Rocket died a year or so later, Fred would chase a cat now and then, but he never tried hard to catch one. I think he just wanted to play.

He had some Lewis and Clark in him. Every so often he’d get loose and take off, exploring the neighbors’ backyards. I’d chase after him, steam coming out of my ears. He’d look over his shoulder at me and trot just out of reach, like Rocket used to do to him. Finally Alix and I figured out a trick: We’d go back and get the car and drive over to where he’d wandered. As soon as he saw the car, he’d jump in. Back then there was nothing he liked better than a car ride. He’d stick his head out the back window, jowls blown back in the breeze, nostrils pumping with all the smells he was taking in. After a while he’d prop his front paws on the console between our seats and lay his chin on my shoulder. A dog can love you in a way that caves in your heart. It can also leave a lot of drool on your shirt.

When he was 3 we moved to where we live now, a neighborhood with houses closer together and a lot more people walking around. It took him some time to get used to this. If dogs can be introverted, he’s an introvert. Of course he’d sniff another dog’s butt. That’s dog law. But some dogs are alpha dogs, and Fred is an omega. A 55-pound weenie. Once we took him to a dog park and three or four other dogs jumped him right when we got inside. One of them bit him. He was OK, but the rest of the time he was there he went off by himself to the far corners of the park. I stood there in the middle of the park and cried, partly because I knew how he felt. Alix and I are introverts, too, and we’ve always wondered if we raised Fred to be a loner.

It probably didn’t help, at least in that regard, that we neutered him. For years he licked his crotch constantly. I always figured he was watering the spot, hoping they would grow back.

He’s got some other quirks. He won’t go near the A/C vents in the floor — I’m pretty sure he thinks the air coming out of there is monster breath. He used to lick the pad of his back left paw constantly, like a baby sucking its thumb. We had our vet check more than once for a splinter or an infection. It’s still a mystery. He still spins around six or eight or 10 times before he lies down. I read somewhere that it’s a hard-wired memory from the days when wild dogs tamped down the grass before they slept. Now that the arthritis has made it harder for him to get down, he backs into a corner and sort of slides down on the bed. But he makes sure to get his spins in first.

Sometimes I think he was born for the North. Every year he wilts a little more in the summer, and every year he perks up in the fall. His favorite days are when it snows. We had a big snowstorm at the old house one day and he dove in and out of the snow like a dolphin. We spent a year in Boston and it snowed 60 inches that winter. He’d bound through the park across from our apartment and come home with a snootful of frost. The last time he went on a walkabout was a couple years ago on a snowy night here in Charlotte. I let him out without a leash because he had gotten so slow. But the minute he got out in the snow he trotted down the sidewalk, faster than he’d moved in years. It took two blocks before I could catch up to him.

That Boston year, in the fall, we drove up to Maine one weekend and took him to the beach. He’s never been much of a water dog, but he loved chasing gulls and wading in the ocean and trotting in the sand. He was 7 years old by then — a middle-aged dog — but he high-stepped down the beach, his ears thrown back like he was a puppy. If you’re good to a dog, pretty much every day for the dog is a great day. But that one might have been the best. We rubbed off as much sand as we could and piled him in the back seat, and he slept like a brick all the way home.

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*****

 

Alix and I have been married 17 years, and Fred has been with us for 14 of them. We’re busy people. We wouldn’t have thought we had time to look after a dog. But when it’s something you care about, time bends and stretches. Somehow we’ve had the time to take him for walks and keep him fed and clean up his messes and just hang out together. He never was well-trained but he’s a skilled communicator. His go-to move is the heavy sigh. Sometimes Alix and I will be in bed, talking through something important, and all of a sudden from the corner of the room comes this long and deliberate exhale of profound boredom. No matter how serious our conversation is, it makes us laugh. Wrap it up, he’s saying. It’s sleepin’ time.

He also won over our families. Alix’s folks are not especially dog people, and my mama has been scared of dogs since she got bitten as a child. But they welcomed him into their homes.  My mama even started tossing him little bits of bacon in the kitchen. When she found out he was sick, her advice was to give him some bacon. To be honest, that’s her advice in a lot of situations. It’s pretty good advice.

It’s been weird to see Fred get older faster than us. For the first few years of his life, he pulled us down the street. Then for a while he walked by our side. Now we’re the ones up ahead of him. When he was young, he’d hear the car door shut in the driveway and run to the door to meet us. Then there was a while when he’d get up when we came in the door. Now he lies on his bed and waits for us to come over, his tail thumping with every step we take toward him.

He’s still a beautiful dog, with a thick coat he sheds like crazy. My wife will pull an old sweater out of the closet, something she hasn’t worn in years, and somehow it’ll have Fred’s fur on it. We joke that 20 years from now, we’ll still find his fur up under the couch, or drool spots on the hardwood floor. He has always left his mark.

*****

When he started getting really old, it didn’t register with me right away. I’d yell at him for not eating his supper, or not wanting to go on his morning walk, or eating some random thing off the ground. (These days he has a taste for dirt.) I’m not proud to say this, but even now I get mad at him sometimes. I’ll take him outside on a beautiful night and he’ll just stand in the yard and look around, not wanting to go down the street or back inside. It got me really frustrated until I realized the problem. I was mad at him for dying on us.

That’s the thing with pets. They’re probably going to die before you. They make you deal with death and loss before you’re ready. Alix and I are having a hard time imagining a life without Fred, but we’re going to have to live it. We hope to remember what he has taught us.

Always make room for treats.

Sometimes you should wander off and see the world.

Explore things with enthusiasm, even if you’re shy.

Any day might be the best day of your life.

We used to walk him for miles, but these days he’s not up to going far. He didn’t want to go at all for a while. But then the neighbors a few houses down, across the street, started setting out a bowl of water and a jar of dog treats every morning. Now when we let him out, he does his business and heads straight for that house.

He’s always had a good memory. He used to bark whenever the doorbell rang. A few years ago, after I had surgery, I recuperated in the living room. If I saw somebody coming up to the house, I’d yell “Hey, Alix!” so she could open the door, usually right as the doorbell rang. More than a year later, I was at one end of the house one day and Alix was at the other. “Hey, Alix!” I hollered. Fred barked and ran to the door.

I wonder what he remembers now.

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Here’s a thing I remember. At the old house, I’d let him out every morning to roam the back yard. It was almost as deep as a football field, and he’d go way back there and sniff around the edges of the brush. I’d stand at the corner of the garden fence and watch. After a while I’d whistle and he’d look up. I’d dig a treat out of my pocket and hold it high where he could see.

In three strides he’d be going full speed. It was such an expression of natural joy, his ears blown back, his eyes wide, every muscle in perfect sync. He barely touched the ground, like a pebble skimmed across a river. He never stopped on time and so he would go flying past and slam on the brakes, scrabbling in the dirt like a cartoon. Finally he would make it back to me to get his treat. He always wagged when he saw one of us but now his tail would be spinning like a helicopter blade.

On his good days, even now, when we walk up to him his tail will spin like that. It lifts our hearts off the ground.

I don’t know your thoughts on the afterlife. One thing I hope is that we’ll be able to sit down and have a conversation with Fred. Have him tell us why goose poop tastes so good, where he really liked to be rubbed, whether we did right by him at the end. Make sure he knows how lucky we are that he showed up in our life one day.

My other hope is that up there, we’re all young and strong again. I’d love to watch him run.

 

 

 

 

 

 

 

 

 

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My top 5 of 2014

Top fives seem to be the trend this year — thank you, Chris Rock. So here are the five pieces I wrote that meant the most to me this year. As always, thanks so much for reading.

Precious Memories (ESPN). This story on Dean Smith, and how his UNC family is dealing with his dementia, ran back in March. I’m still hearing from people about it nine months later — the other day, I got a beautiful email from a basketball coach in Argentina. It’s a blessing when a story leaves those kinds of ripples.

You Can’t Quit Cold Turkey (ESPN). This piece on Jared Lorenzen cut deep with many of people struggling with their weight — and with lots of other addictions. It also gave me the courage to write a book about my own struggles. I’ll always be thankful to Jared for that, and for being so open and honest with his story.

22 Brief Thoughts About That Richard Sherman Interview (Forbes). 4.6 million page views and counting. I still can’t believe it.

Is Charlotte Southern? (Charlotte Magazine). Really enjoyed getting the chance to write down some of the things I’ve been thinking about the city I’ve lived in, and loved, for 25 years.

The Truth of Time (Dazzle Gradually conference, Rock Hill, SC). This is a talk I gave at a great little arts gathering early this year. It sums up a lot of what I’ve come to believe about writing — or any kind of creating, really. And as a bonus, there’s a beautiful poem at the end.

 

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What made “Serial” work

ALERT WARNING ALERT: Spoilers from the last episode of “Serial” below. STOP NOW if you don’t want to know how it ends.

 

 

Here’s my Journalism 101 question about “Serial“: If Sarah Koenig had done the exact same reporting without anyone seeing it, and she took what she found to NPR — or most any other publication — would they have published the story?

Probably not.

She didn’t find enough doubt to spring Adnan Syed. She didn’t find enough evidence against the mysterious Jay, or anyone else, to reopen the case of the murder of Hae Min Lee. She said what she believes — “most of the time, I think he didn’t do it” — but in the end, she had to shrug her shoulders.

At most publications, including the ones I’ve worked for, I think most people would’ve stuck her notes in a drawer and moved on.

“Serial” did it differently. I hope all of us in journalism are paying attention.

Historically, journalists have hidden our stories from the public before they’re ready. There are some good reasons for this:

1) You might decide not to do the story (see above).

2) You don’t want the subjects of the story to reshape it before it gets out.

3) You don’t want to get scooped by the competition.

The huge, brave risk “Serial” took is that it chose not to care about any of those things. Koenig and her colleagues started posting episodes without knowing where the story would lead, much less how it would end. The audience got to see all those frustrations and dead ends play out — and it turns out the very things we hide are what people are drawn to. Listeners built blogs and flooded Reddit with speculation as it went along. There was a podcast about the podcast. Some of those fans are probably disappointed today that there wasn’t a big reveal of the killer. A little part of me felt that way, too. But knowing they started the story on a tightrope made it a whole different experience. Even though the pieces were taped, it felt like a live show where anything could happen. In the finale, Koenig said she was getting new information right up until the moment she taped. I was half-expecting her to stop her own show halfway through with breaking news on the case.

These loose-ended stories happen all the time — it’s just that the outside world rarely sees them. Every reporter has stories where you can’t get the key people to talk, you can’t find some important document, you can’t figure out how to make it hang together. I once spent months researching a book idea that I loved, but there was one crucial fact that I came to decide I’d never be able to know. So I put the whole thing away.

But what makes a story a story is not just reaching the goal but overcoming the obstacles in the way. In one sense, every story is a detective story. The genius of “Serial” is how it let the audience in on the detective work of journalism. In that way it reminds me of my favorite story of all time, J.R. Moehringer’s “Resurrecting the Champ.”

Of course, you have to understand that most detective stories are about the detective. The main character in “Serial” isn’t Adnan Syed. It’s Sarah Koenig. That’s a weird spot for most journalists. There’s no way to take yourself completely out of the story — every choice you make as a journalist is filtered through the way you see the world. Still, in general, we want the story to be about the people we’re writing about.

But I hope “Serial” widens the range of how traditional journalists think about how to do stories. Sometimes it’ll make sense to let readers in on the story early. Sometimes it’ll make sense to be more transparent about how you know what you know (and why you don’t know what you don’t know). Sometimes it’ll make sense to put the reporter at the center of the story, as a narrator trying to solve a mystery. Sometimes a few smart people in a newsroom will take that pile of notes that they can’t quite make whole, even though the story keeps them awake at night, and they’ll say: Let’s put it out there and see what happens.

“Serial” was solid journalism, it told a compelling story that got millions of us hooked, and it became the most popular podcast of all time. Seems like a good chance to take again.