Categories
News

Knowing Frank

The last time I saw Frank Barrows, just a few weeks ago, he wanted to talk about journalism and basketball. He always wanted to talk about journalism and basketball. Sometimes he twined them together. He often told the story about how, one morning, he picked up the Charlotte Observer — the paper he did as much to make great as anyone else ever has — and he was upset, deeply troubled, because the tiny agate type that listed the previous day’s announcement of the NBA All-Defensive teams included the first and second teams but left off the third. Back then the Observer had 230,000 daily subscribers. Maybe six of those people cared about which players made the NBA All-Defensive third team. The players’ families probably didn’t care.

Frank cared.

He cared about the biggest projects and the smallest bits of type. He cared about the paper’s most talented veterans and the most clueless rookies in the room. He cared about me in a way I could never pay back. I suspect that’s true of countless others.

He died Wednesday at age 72 and so many of us are going to miss him — especially his wife, Mary Newsom, and their daughter, Maggie. But we won’t forget him. We’ll remember him like he remembered — well, something like this bit from an email he once sent me: “My alma mater, Martinsville High School, has won 13 state championships in Virginia, more than any other school. One of those came in 1961, when I was a freshman …”

He went on to detail the back-and-forth battle in the state final, how Martinsville’s star player hit the game-winning shot, how the other team’s star ended up being a pro baseball player who never could hit but learned to manage, and how I might have heard of him: Charlie Manuel, who happened to be manager of the Philadelphia Phillies when Frank sent me that email, in 2008, forty-seven years after that high-school game he remembered to the last bounce.

It was a classic Frank story. At first I wondered why he was telling it at all, and then the way he told it drew me into it, and by the end, when he came to the payoff, I was so glad I had gone on the ride.

******

Frank grew up in Virginia, in a house that he once described to me as “somber.” He absorbed himself in sports and newspapers. He started filing game reports to the local paper in high school. When I knew him at the Observer, he was the managing editor — the no. 2 person in the newsroom. But before that, he was a brilliant sports columnist. He hung out with Dr. J at a basketball camp in the Catskills. He covered the ACC basketball tournament when it was one of the great sporting events in America. He once wrote a column saying that Dean Smith, the revered coach at North Carolina, would never win a national title because his system was too structured to give players the freedom they needed in big moments. In 1982, after Michael Jordan hit the game-winning jumper to give Smith his first national title, the first thing Smith said in his press conference was this: “I guess we proved a very bright writer from Charlotte wrong tonight.”

Even the best writers, at least most of them, struggle for the right word or the right line or the right scene. Frank’s struggles were epic. He had stopped writing before I arrived, but the stories lingered. On deadline, he would show up at his desk with a six-pack of Tab. He would sit down and put on a pair of those giant earmuffs like they wear on the tarmac at the airport. He would take a strap he had found somewhere and tie himself to his chair. Only then would he start to write. You might think that’s crazy. I used to think so, too. But over time I’ve come to admire what Frank did. He was willing to look like a fool to get the stories out of his head and onto the page. Because he knew how great those stories were.

As a writer he had long hair and open collars. He loved road trips because in hotel rooms, he could write in his underwear. But as an editor, he had a haircut and wore a suit. And he set about trying to build a newsroom of journalists as good as he was.

*****

Frank changed my life on a spring Saturday morning in 1997. Back then I was the music writer for the paper, but there was an opening for my dream job: local columnist. The problem was, the job had been open for a year and a half. A bunch of people inside and outside the paper had applied. A group of us who made the first cut had written sample columns. But there were budget issues, and there was some indecision, and we all figured that if they really liked any of us, they’d have chosen already. I flew out to Kansas City to interview for a job as a sportswriter there. When I got back, Frank called. He asked if I could meet him for breakfast that Saturday at Andersons.

Andersons is closed now, but back then it was where deals got done in Charlotte. You’d always see politicians and bankers and developers in there schmoozing over bacon and grits. Frank got there first — he was always there first — and after we ordered, he offered me the columnist’s job and told me what it paid. I would have taken way less. I said yes and we finished breakfast and I floated out of the building.

Just a couple of months after starting the job, I wrote about an insurance executive in Charlotte who resigned after it was discovered that he had made up whole chunks of his backstory — among other things, he said he had won a gold medal in track in the Olympics. In my column I mentioned in passing that I had finished college one course short of my degree. It was something I almost never thought about, and in fact I had since gotten my diploma. But when Frank read the column, he knew something was wrong. He went back and looked at my original application to the paper from eight years before. Back then, I had lied and put down that I had the degree. Frank killed the column. And the next day, I met with him and the two other top editors at the paper. I expected to lose my job.

Frank didn’t yell. He never yelled, at least not in my presence. But this was worse than yelling. He made it clear how disappointed he was in me. We went over every word in my application until he was satisfied the rest was true. The next day, he told me I was suspended for a month.

Here’s the thing I remember most about all that: When I came back, he acted as if I’d just gone on vacation. We talked about journalism and basketball. I had served my time. Every so often, when I wrote something he liked, he’d send over a note or maybe just a few words scribbled in the margin of the column, with the initials FCB. (I am just now realizing I’ve forgotten what the C stands for.)

I’ve thrown out a lot of the stuff I’ve accumulated over the years as a writer. But I kept every note from Frank. He gave me the best job I’ll ever have and he saved me when I almost threw it away.

After that, whenever I won an award or got a new job, the first person I told was my wife. The second person I told was my mom. The third person I told was Frank.

*****

He left the paper in 2005, not on his own terms, and for the rest of his life he held onto some anger about that. But he kept writing and editing and advising and mentoring all of us who looked up to him — including my wife, Alix Felsing, who had her own career at the paper. He threw himself into getting in shape. For years he spent nearly every morning walking miles inside SouthPark mall, until he knew by sight all the security guards and cosmetics saleswomen and the people in those little kiosks selling candles you don’t want.

But after a while his body started failing him. He’d had diabetes for years. Then he got shingles, had to have gall-bladder surgery, suffered terrible back problems, had to go on dialysis. Every time he got up from a chair I saw the pain in his eyes. But he still wanted to read, think, watch, talk.

I’m just now realizing the funny thing about Frank and time. He was always anxious about getting somewhere on time. But once you got there and sat down with him, he talked as if he got paid by the pause, and he listened as if he could stay forever. In that moment, one on one, Frank made you feel like there were the two of you and nothing else mattered.

He cared.

******

The last time Alix saw Frank, he came by our house. I’m not sure if he had ever been there before — after he left the paper, we’d always meet for coffee or dinner somewhere. But this time, back in January, he called and asked if he could stop by.

My book was getting ready to come out — a book I never would have had the skill and guts to write if Frank had not believed in me all those years ago.

She opened the door and he handed her a bottle of Dom Perignon. He told her it was to celebrate the book — our book, because he knew how much Alix had done to make it happen, and it was hers as much as mine.

After a few minutes he said his goodbyes and walked back to his car. I probably should mention at this point that Frank didn’t drink. So at some point he went to a wine store he’d probably never been to, bought a bottle of champagne he’d never taste, and made the kind of house call he rarely made.

(Here is the weird thing. The first time I wrote this through, at 2 in the morning, I wrote this little moment as if I had been there. But when Alix woke up and read it, she reminded me that I hadn’t been there, that she had told me about it later. I can see the scene so clearly in my head. But it was a reminder that I can’t count on my memory. It was a reminder that everybody needs a good editor. And it was a reminder of Frank’s vivid presence in our lives. My apologies to everyone who read the first, incorrect version.)

The Dom Perignon is still sitting in our refrigerator. Somehow we never got around to having the proper ceremony. Now, though, we have a better reason — to toast the life of someone who meant so much to us.

We will enjoy the champagne. But it wasn’t the real gift. The gesture was the gift. The time was the gift. Frank was the gift.

Categories
News

Thinking about my mom

My mom, Virginia Tomlinson, died a year ago today. The schedule of my book tour happened to send us down to my home ground in south Georgia over the weekend, and so on the drive back home we stopped by the cemetery in Brunswick. I hadn’t been down since the funeral. Her grave marker was in place, clean and solid, next to my dad’s.

She got to read an early draft of the book. She liked it except for two things. One, there are too many cuss words. Two, if she had known I drank so much in college, she wouldn’t have sent me any money. (Totally fair.) I wish she could’ve been around for these past couple of weeks, as the book has landed out in the world, and so many people have told me how much they enjoyed reading the parts about her. She would’ve gotten a kick out of that.

I go back out on the road this week, and I know one thing will happen: Every time I get to a new place, and every time I get back home, my reflex will be to pick up the phone and call her, to tell her I made it there all right. I don’t know how long it’ll be before that reflex fades. I hope it never does.

— TT

Categories
News The Elephant in the Room

We’re here.

Seven years ago, I first spoke to my agent about writing a book on my life as a fat man.

Four years ago — after three years of being afraid to write it — I signed a contract.

Three years ago, a first draft.

A year and a half ago, a second draft.

A year ago, a version we were all happy with.

(On the left in the photo above is all the working drafts stacked together.)

A few months ago, advance copies in my hands.

A couple of weeks ago, the first hardbacks arrived.

And finally, today, “The Elephant in the Room” lands out in the world.

So many people have been so kind in the days leading up to publication, as excerpts have come out and I’ve done a bunch of interviews about the book. (If you want to catch up on the coverage, we’ve gathered it here.)

I’m also doing a book tour, mostly through the Carolinas but also a couple of other places. We start tonight at Park Road Books in Charlotte. Here’s the current list of dates. If you can come out, I’d love to see you.

Beyond that, I have three favors to ask.

  1. If you’re planning on buying the book, it would be great if you did it this week. Bookstores count all sales through Saturday as part of the first week’s sales, and the first week is crucial for any book — it’s the best chance to get noticed, and often the best chance to make any best-seller lists. (All preorders also count toward first-week sales). My homepage has buttons where you can buy the book through your local independent store, on Amazon, or wherever else you choose. It’s available as a traditional book, an ebook and an audiobook.
  2. Please spread the word. If you spend time on social media, tweet or post on Facebook or whatever you normally do to let people know that the book is out. (We’re using #TheElephantInTheRoom as a hashtag, if you do hashtags.) But also just tell your friends, co-workers, and so on. Word of mouth is the best advertising there is.
  3. I want to see your photos — if you’ve bought the book, if you’re reading it in some exotic location (or just in your living room), if you see it out in the world somewhere. Send any photos to tomlinsonwrites@gmail.com. I’ll post some along the way.

Today is both a finish line (we published a book!) and the start of a new race (now we need people to read it!). Thank you for the incredible boost so far. This moment has been a long time coming — I know some of you have been hearing me talk about this book for so long that you might have figured it was just my imagination. Well, nope. It’s real. It’s here. And I’m thrilled for you to have a chance to read it.

— TT

Categories
Movies Uncategorized

After Mister Rogers

We went to see the Mister Rogers documentary, “Won’t You Be My Neighbor?” Everything we read and heard warned us to be ready to cry. One friend told me she had taken a box of tissues to the theater, then passed it through the crowd when everybody started sobbing. The movie is amazing – thoughtful, powerful, spiritual – but for me the heart punch didn’t happen until right at the end, when the filmmakers create a brilliant little moment that I won’t spoil here. The tears came then, and they came hard.

But I don’t want to say much more about the movie. I want to talk about after the movie.

There was a pretty good crowd – maybe 50 people on a Thursday night – and most of them left when the lights came up. But a dozen of us stayed. There were four people a couple rows behind us, and three people a row in front of us, and five of us – Alix and I, a friend we used to work with, and her parents.

And all three of our little groups just sat there and talked about the movie.

The people behind us talked about watching Mister Rogers when they were kids. A young woman in front of us got out her phone and found a YouTube clip of a moment shown during the credits. Our group got out the box of cupcakes our friends had brought – Alix and I just had our 20th anniversary, and each cupcake had icing that looked like a baseball with “20” between the seams. (Our first night out together was at a Hickory Crawdads game.)

Ushers usually come in right after every movie ends to sweep up and make sure everybody leaves. But nobody came. So the folks behind us lingered, and the ones in front of us lingered, and our group ate cupcakes in what I am sure was a flagrant violation of Regal Cinemas policy. I wish now that we would have talked to somebody in one of the other groups, but in the moment we were all deep in our own conversations.

Our group talked about what Fred Rogers would think of the way our world is now — if he would think that he had not done enough. We wondered what happened to some of the children in the movie. We agreed that the things Mister Rogers stood for – kindness, tolerance, love – are not naive or shallow but are the most profound and deepest things of all.

We all stayed for a good 20 minutes. I’ve been to hundreds of movies, but I’ve never seen that happen before.

It felt like we were sitting out on our porches on a long summer night.

It felt like we were in the place we belonged.

You know what it felt like?

A neighborhood.

– TT

 

Categories
Writing

Bourdain on writing with no time to think

Like a lot of you, I’m guessing, I binged on Anthony Bourdain over the weekend after hearing of his suicide on Friday. I Netflixed a few episodes of his show “Parts Unknown” and read a bunch of tributes. Two of the tributes stood out to me – one from my friend Kathi Purvis on the Bourdain she met and corresponded with, and Spencer Hall on why it meant something for Bourdain to visit, and love, the Waffle House.

I also went back and read the New Yorker piece that catapulted him out of the kitchen and into the world of books and TV. It was better than I remembered. I tried to read one of his books a few years ago – “A Cook’s Tour,” I think – but there was a dismissive edge to it that turned me off. From all accounts, including his own, Bourdain became kinder and more earnest as he got older. His blade could still cut, but he didn’t wave it around the way he did as a younger man.

In the middle of all that weekend reading, I came across an interview he did on NPR a couple years ago. Toward the end, he talks about writing “Kitchen Confidential,” the book that came out of that New Yorker piece. As he talked about it, he said something about writing that rang true:

One of the hardest things about writing is just letting yourself go – not worrying about if the work will sell, or if readers are going to love it, or even if it’s any good. It actually helps sometimes to have a day job, or a baby in the next room, or something else to prod you into putting words on the page. (I own this T-shirt as a reminder.)

I actually do have a day job now, where writing is part of the gig but not all of it, and so I’m having to make time to write other stuff. That’s why I got up at 6 this morning to write this, and gave myself an hour to wrap it up and get it out into the world. Write like you have to be somewhere else soon. Write like no one else is ever going to read it. That’s solid advice. Anthony Bourdain had so much to teach us.

— TT

 

 

Categories
The Elephant in the Room

A book update (and a question)

Guys: My book, “The Elephant In the Room” — which I think I’ve been telling you about for 45 years or so — is one step closer to publication. The good folks at Simon & Schuster have put up a page for it on their website. It’s also now available for preorder through Amazon and Barnes & Noble:

Amazon

B&N

Or you can order a copy through an independent bookstore — my favorite is Park Road Books here in Charlotte.

The book doesn’t come out until January, which is a long wait, but if you go ahead and buy it now, by the time it comes out you’ll have forgotten that you spent the money and it’ll feel like a free book. And if you buy two now, it’ll feel like TWO free books!

(Yes, I am going to be shilling the hell out of this thing.)

There’s been a lot going on with the book behind the scenes. We’ve been talking about covers, doing final edits, figuring out the size and the font and the million other little things that go into making a book. This is all new to me and there’s a lot about the process that’s fascinating, at least to a book nerd like me. Which leads to a question.

I’ve been thinking about starting up a weekly newsletter that would give you a glimpse at what it’s like to take this book from start to finish — as well as pulling together the podcasts I’ve been doing at WFAE, any writing I’ve done that week, and other interesting stuff I ran across.

Is that something y’all might be interested in?

If so, do me a favor: If you’d like to subscribe (I guess I should mention here that it’ll be free), send me an email with the subject line SIGN ME UP at tomlinsonwrites@gmail.com. I’ll put you on the list for when I get this thing started — I hope in a couple of weeks.

In the meantime, I hear preordered books make great gifts!

— TT